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  513 Main Street, Arkadelphia, AR  71923  •  870-246-5800
  Hours: Wed-Fri 8:00am - 5:30pm, Sat 9:00am - 2:00pm

 
 

Why should I bring my art or precious memories to a professional framer?

When you want to frame a piece of art, a photograph or a keepsake, you have a number of options. Ready-made photo frames and standard poster-sized frames are available at many stores. Or you could visit one of the many "do-it-yourself" framing centers where, with the help of employees, you can cut your own mat and build your own frame.

Professional design of your framing package. There's a great deal more to beautiful custom framing than meets the eye. Did you know, for example, that the width of the mat border should never match the width of the frame? (This tends to draw the eye away from the art that it surrounds.) Or that a poorly placed decorative element, such as a French line, can detract from the beauty of the finished package? J & S Framing knows these things. That's why, in addition to a keenly developed artistic sense, we can apply the standards that govern good framing design to produce a beautiful, well-balanced framing presentation that enhances the work of art without overpowering it.

 
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What if my art is not worth that much money?

Often our customers come in with pieces to frame that may not have the highest monetary value. Usually these are the pieces that are the most fun to frame, and hold the most sentimental value! Whether it's your child's art class project or your great grandfathers glasses that traveled with him through Europe, framing these things can make great visual additions to your home, while also protecting your memories.


Can you cut special mats that are not the usual square or rectangle opening?

Absolutely! Our computerized mat cutter is amazing. We can program it to cut a wide range of unique mats: circle, oval, rounded corner, arch, western motifs just to name a few. Stop by and we'll demonstrate how it works!


Why do you seal the back of the frame?

Sealing the back of the frame serves two functions. First, it conceals the attachment of the artwork into the frame, resulting in a clean, pleasing appearance. Second, it provides protection from dust and insects. Insects lay their eggs inside of frames, because the cellulose from the paper products provides a food source for their young. There are two acceptable methods of sealing the back of the frame. The most common method is using kraft paper, which is a heavier weight paper that can withstand many years of use. It is attached to the frame using a double sided tape. Acid free materials are used in preservation and museum framing. The second method is taping, which is predominately used in Europe. This method uses a two inch wide tape to cover over the attachments, usually staples or framer's points. While this method works well, it allows the viewer to see the backing board and can release after time. Metal frames, because of their channel construction, are not backed.


What is a print?

An artist creates an imageon a surface of wood, metal or stone. The surface is rolled with ink and then that ink is transferred by pressure onto a piece of paper. The first known prints were woodblocks created in China in the 9th century.


What makes a print valuable?

Value is based on the age and condition of the print, the scarcity of the print, the credentials and skill of the artist and the appeal of the image.


Is fluorescent light harmful?

Yes. All light can be harmful. While fluorescent lighting can have a higher output in the UV range compared to incandescent lighting, the more important factor is the overall brightness of the light source. To minimize light damage, avoid placing artwork near sunlit windows or bright sources of light.


Why is UV protection important?

Without at least 97% UV protection framed pieces will age and fade more rapidly. Indoor and outdoor UV light rays contribute to severe color loss, paper embrittlement and deterioration of framed pieces. These effects are both cumulative and irreversible. The materials that make up the piece, the paper or fabric on which the image is displayed, may become brittle. Photos may appear yellow or stained with ghostly silver deposits rising to the surface. Once damage from light has occurred, it can never be reversed. That's why it is important to understand what you can do to minimize this type of damage before it happens.


When should I use Museum Glass® ?

Museum Glass® can be used on any custom frame project, whether an original work of art or a print, a photograph, a shadowbox or a treasured keepsake. When you care enough to use the very best, J & S Framing always recommends Museum Glass from Tru Vue.


When should I use acrylic?

J & S Framing recommends using acrylic for hanging and shipping heavy, oversized artwork, children's rooms, earthquake zones, high traffic areas or anywhere extra care is required.


What type of glass or acyrlic should I use for pastel or charcoal based art?

Pastel or charcoal based art can become damaged using most glazing products due to the inherent static charge of the substrate. Tru Vue Optium Museum Acrylic® and Optium Acrylic® provide anti-static as well as anti-reflective properties to help protect art from damage and to help showcase your art the way it was intended.


How Do I Clean My Tru Vue Glass?

• Small spots may be removed by using a dry micro-fiber cloth and wiping in circular motions.
• Entire surface may be cleaned by spraying a small amount of glass cleaner on a micro-fiber cloth
   and gently wiping in circular motions.
• To prevent seepage onto the matboard and artwork, do not spray cleaner directly onto glass.
• If micro-fiber cloth is not available, use a clean, lint-free cotton rag.

 
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